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Years later, John Ford and John Wayne would film a variation on the tale entitled 3 Godfathers (1948).Instead, Algie's character is defined as gay through certain visual indicators of behavior and dress: his tendency to give cowboys kisses on the lips rather than slaps on the back, his bright and flamboyant Western wear, and a penchant for lace hankies and lip rouge.In one of the film's more inventive uses of visual metaphor, Algie's masculinity is represented by the size of his firearm.But 93 years prior to Brokeback Mountain (2005), a gay cowboy named Algernon Allmore was already pioneering that cultural frontier in Alice Guy-Blache's comedy short Algie, the Miner (1912).Algernon (Billy Quirk) is an effete city boy who is required to go West and develop some virility before he can have the hand of his girlfriend in marriage. This was 1912 and, even in the most forward-thinking film, some sexual orientations dared not speak their names.

When Algie tearfully nurses Jim through a terrible case of the d.t.'s, we detect some depth in their camaraderie.

After Algie valiantly saves Jim from armed bandits, the burly prospector forms a curious attachment to the transplanted Easterner.

Anger, a highschool student who had grown up on Hollywood's sanitized images, filled Fireworks with his hidden fantasies, complete with the bald sexuality inherent in the images of cowboys, test pilots and, in this case, sailors, images that dominated the dreams of millions." (Russo. 597-98) DVD 6870; vhs 979 Scorpio rising (1964, 28 min.) -- Kustom kar kommandos (1965, 3 min.) -- Invocation of my demon brother (1969, 12 min.) -- Rabbit's moon (1979 version, 7 min.) -- Lucifer rising (1981, 29 min.) Scorpio rising: Bruce Byron, Johnny Sapienza, Frank Carifi, John Palone, Ernie Allo, Barry Rubin, Steve Crandell ; Kustom kar kommandos: Sandy Trent ; Invocation of my demon brother: Lenore Kandel and William, Kenneth Anger, Van Leuven, Harvey Bialy and Timotha, Anton Szandor La Vey, Bobby Beau Soleil ; Rabbit's moon: Andre Soubeyran, Claude Revenant, Nadine Valence ; Lucifer rising: Miriam Gabril, Donald Cammell, Haydn Couts, Kenneth Anger, Sir Francis Rose, Marianne Faithfull, Leslie Huggins. A high view of the myth of the American motorcyclist and the machine as totem from toy to terror.

Kustom kar kommandos: A young man strokes his customized car with a powder puff.

That a film could develop a relationship so complex, poignant and utterly unconventional in a scant ten minutes is a testament to the talents of director Alice Guy-Blaché. In conceiving the story of Algernon Allmore (the film has no credited writer, so we can fairly credit Blache with at least partial authorship), the director was probably influenced by the stories of Bret Harte.

Greatly influenced by Charles Dickens, Harte wrote tales of rugged Westerners, and the stories were uncommonly tender -- often overlaid with shameless sentimentality.

When he first arrives out West, he packs a dainty silver pistol, but as he becomes acclimated to the rugged terrain, he begins packing a more butch six-shooter.